From the encounter between 10 Corso Como and the talents of Central Saint Mar...

From the encounter between 10 Corso Como and the talents of Central Saint Martins comes JASPER.JASPER, the new 10 Corso Como bag, makes its debut in a limited edition, available exclusively at the Milan store and through the official e-commerce. The design is based on the concept created by Swedish designer Petra Fagerstrom, developed as part of A Signature for the Logo Collection (2024), a project promoted by 10 Corso Como in collaboration with Central Saint Martins – University of the Arts London, with the aim of supporting a new generation of international fashion talent.The initiative involved forty designers from the MA Fashion course, who were invited to reinterpret the identity, visual codes and iconic pattern of 10 Corso Como through the creation of an accessory. Petra Fagerstrom’s project was selected as one of six finalists by Tiziana Fausti, President of 10 Corso Como, together with an international jury comprising Alexander Fury, Serena Tibaldi, Jordan Bowen and Luca Marchetto.Building on the winning concept, 10 Corso Como developed and industrialised its own interpretation of the designer’s academic project, preserving its distinctive elements, including the eyelets and rivets applied to the crinkled nylon. The result is a graphic, contemporary bag, designed for everyday use and travel, that combines functionality and versatility. JASPER features two distinct elements: an outer body and a removable inner pouch, secured by a concealed zip and designed to be used separately as well. The handle offers two configurations: it can be carried as a double handle or converted into a single handle using a system of side loops.“For us, this collaboration is an open dialogue between the identity of 10 Corso Como and the creative vision of Central Saint Martins. It is an invitation to explore new aesthetic frontiers, where art, fashion, and culture come together to shape the future. An encounter between experience and new generations, capable of bringing unexpected ideas and new forms of expression to the forefront” says Tiziana Fausti. The name Jasper is inspired by Jasper Johns, the American artist and one of the leading exponents of Neo-Dada, and in particular by his painting Target with Four Faces (1955). In this work, the target becomes an instantly identifiable image that induces sight, concentration and the very act of looking. Through its immediacy and recognizability, the graphic strength of the target also echoes the distinctive mark of the 10 Corso Como logo.

On Wednesday, October 14, from 6:30 to 7:30 p.m., at the Project Room of 10 C...

On Wednesday, October 14, from 6:30 to 7:30 p.m., at the Project Room of 10 Corso Como, Zanellato celebrates an important anniversary and presents a new book dedicated to its history, Italian craftsmanship and its ongoing exploration of materials and innovation.Some entrepreneurial stories have deep roots, born from the encounter between a family, a region and a passion. Zanellato’s story begins in the Veneto region and spans generations, crafts and transformations, finding a visionary interpreter in Franco Zanellato. From the first experiments with leather to the creation of Postina®, which has become an icon of Italian design, and through ongoing research into sustainability and “artisanal intelligence,” this book tells the story of 50 years of Italian heritage shaped by creativity, craftsmanship, and passion.This milestone is accompanied by an important recognition: Zanellato has been awarded the Historic Trademark of National Interest, bearing witness to an entrepreneurial and creative legacy deeply rooted in Made in Italy, which continues to represent a wealth of expertise and values to this day.The book presentation featured Alba Cappellieri, the book’s author and Head of Jewelry and Fashion Accessories at the Politecnico di Milano; Tiziana Fausti, President of 10 Corso Como and Franco Zanellato, CEO and Creative Director of Zanellato.

10 Corso Como presents Viktor&Rolf. Spectrum, the first solo exhibition i...

10 Corso Como presents Viktor&Rolf. Spectrum, the first solo exhibition in Italy dedicated to the renowned Dutch duo Viktor Horsting and Rolf Snoeren, on view at the 10 Corso Como Gallery from 25 September to 22 November 2026. The exhibition follows the success of Yohji Yamamoto. Letter to the Future, which welcomed more than 20,000 visitors during its two-month run in 2024. 10 Corso Como continues its exploration of the leading figures of the contemporary scene with two designers who have transformed haute couture into an extraordinary field of artistic experimentation. For more than thirty years, Viktor Horsting and Rolf Snoeren have developed a practice that transcends the boundaries of couture, intersecting with contemporary art, performance and visual culture to create collections conceived as works in their own right, each rooted in an idea, a reflection or a provocation.Viktor&Rolf. SpectrumCurated by Alessio de’ Navasques10 Corso Como Gallery25.9 – 22.11.2026Every day: 10.30am – 7.30pmFree admissionPhoto credit: Alessandro Saletta - DSL Studio

From September 25 to September 27, nside the Project Room of 10 Corso Como, o...

From September 25 to September 27, nside the Project Room of 10 Corso Como, one of Milan’s most distinctive concept stores, Xiaohongshu — the global lifestyle social platform — opens “The East,” a new lifestyle exhibition curated with its platform’s buyers. More than a display, it is a contemporary Eastern proposition for living — this Milano Fashion Week®, fifteen of China’s top fashion buyers, carrying several pieces of Eastern-sensibility goods handpicked by themselves, invite the world to step into a fresh, contemporary take on the East.Born in Shanghai in 2013, Xiaohongshu today serves more than 400 million monthly active users worldwide — the finest fashion and styling community there is. In China, Xiaohongshu is fashion itself: trends grow here, taste is debated here, and the everyday outfits of millions of ordinary people are seen here.And the world came to know Xiaohongshu in those days — when a certain app’s departure sent users everywhere searching for a new home, and this community from China caught, steadily, the greetings of every language and every time zone. An 85-year-old Cambridge professor became a listener for the young; music transcended boundaries beneath the Eiffel Tower — a rare moment of global-village cultural exchange, and the moment the world truly came to know Xiaohongshu.This is where the project began — letting culture flow through buyers and brands, in the world’s own language. These buyers are not livestream hosts; they are discoverers and ambassadors of fashion culture: they carry their taste out into the world, bring the world’s sensibility back home, and through their expression on Xiaohongshu, help more people understand Chinese culture.

10 Corso Como opened the first pop-up store of PLEATS PLEASE ISSEY MIYAKE’s i...

10 Corso Como opened the first pop-up store of PLEATS PLEASE ISSEY MIYAKE’s in Milan. On the occasion of the launch of the “Azure Colors” special series, from September 10 to October 11, 2026, the brand will take over a dedicated space hosted at 10 Corso Como.Presenting an immersive installation inspired by the ever-changing colors of the sky,  the space offers visitors a new opportunity to engage with the distinctive world of PLEATS PLEASE ISSEY MIYAKE, where innovative pleating techniques, freedom of movement, and a vibrant approach to color come together in garments designed for contemporary everyday life.Conceived as an immersive environment, the pop-up draws inspiration from the sky and its constant transformations. Shades of blue, a sense of lightness, and the gentle movement of clouds are translated into a three-dimensional installation, creating a space that seems to float between color, light, and air. AZURE COLORSIt’s a special series developed in six shades of blue. Inspired by the subtle shifts of the sky and clouds, the series ranges from the softest tones of pale blue to the intensity of sky blue, deep blue, and navy.The chromatic gradation unfolds across a selection of tops, dresses, skirts, trousers, and stoles. As the pleats fill with air and respond to the movement of the body, the garments evoke the serene, ever-changing nature of a constantly transforming sky. Defined by essential silhouettes and an almost weightless lightness, the pieces can be worn individually or combined across different shades, creating personal and playful color compositions.Through the dialogue between the collection and the spatial installation, the Milan pop-up invites visitors to discover the color, movement, and lightness that lie at the heart of PLEATS PLEASE ISSEY MIYAKE.

Within the spaces of the Project Room and Mezzanine, dedicated to dialogue ar...

Within the spaces of the Project Room and Mezzanine, dedicated to dialogue around contemporary issues and to explorations of multiple identities, and of the relationship between body, identity and representation within creative communities, 10 Corso Como presents YOUTH The Naked Truth, a new project by Christian Boaro.An independent fashion designer, Christian Boaro has, for more than ten years, developed a photographic practice alongside his work in fashion design, focusing on the body and the identities that inhabit and traverse it. The project has grown out of an uninterrupted succession of encounters: friends, creatives, people he has known or met by chance, individuals discovered in the street, in clubs, through social media or during his travels. Over time, these encounters have formed a constantly evolving human archive, an informal mapping of a contemporary creative community  and its multiple forms of existence. The skin becomes a geography, and the body a territory in which identity manifests itself, transforms and resists any single definition. Chosen by Boaro as his privileged medium, the Polaroid records these encounters through unique and unrepeatable images, capturing a moment suspended between the presence of the subject and the gaze of the photographer. Photography thus becomes a space of encounter, in which identity is neither constructed nor imposed, but simply observed in all its complexity. YOUTH The Naked Truth does not propose an ideal of beauty, but questions the very need for a model. The bodies photographed are multiple and diverse: young, tattooed and untattooed, marked by scars, transformations and asymmetries, conforming and non-conforming bodies. Boaro does not seek perfection, but a form of beauty capable of embracing difference. Imperfection thus becomes a form of uniqueness, and the body a means through which identity can assert itself without having to conform to a standard. Above all, the project is an exploration of the gaze and of the possibility of representing others outside the codes of polished, glossy photography. The subjects look directly into the camera without ostentation, free from the encumbrance of clothing and make-up, revealing themselves through minimal gestures, postures, details and presences. Women and men, cisgender and transgender, appear one after another without aesthetic hierarchy and without the need to identify a single form of belonging.It is precisely this multiplicity that defines the project’s sense of identity. The images do not seek to classify a community through shared characteristics, but to construct it through difference. Identity emerges as something plural, fluid and constantly evolving. The immediacy of the encounter meets the slow and irreversible nature of the Polaroid: each photograph is unique, unreproducible and untouched by post-production. Light, distance, framing, pose and chance all become part of the process through which Boaro constructs his own idea of reality. Even the blurs, burns and imperfections that emerge on the surface of the Polaroid become an integral part of the image: not errors to be corrected, but traces of the process and its unpredictability, capable of restoring a more physical, fragile and authentic dimension to representation.At 10 Corso Como, the project presents a selection of Polaroids distributed between the Project Room and the Mezzanine. On the upper floor, the sequence of portraits creates an environment in which individual identities enter into dialogue with one another; in the Mezzanine, a slideshow further expands the archive, transforming it into a continuous flow of presences. YOUTH The Naked Truth is therefore an open archive, without hierarchies and without conclusion.

Milan’s legendary concept store officially arrives in Taipei, opening its doo...

Milan’s legendary concept store officially arrives in Taipei, opening its doors at Breeze Center. 10 Corso Como is pleased to announce the opening of a new store in Taipei, at the Breeze Center.Rooted in a distinctive cultural identity and an interdisciplinary vision, 10 Corso Como brings together fashion, art, design and lifestyle within a single destination. In addition to a curated selection of almost 50 international brands through an ever-evolving programme of creative content and cultural exchange, the space goes beyond the conventional idea of retail to become a platform that invites visitors to discover, linger, connect and engage.To mark the opening, Tiziana Fausti, President and Owner of 10 Corso Como, makes a special visit to Taipei. A prominent figure in Italian luxury retail with more than four decades of experience, Fausti took the helm of 10 Corso Como in 2020 and has since guided the brand into a new phase of development.Combining entrepreneurial vision with a deep cultural sensibility, she has continued to strengthen the brand’s distinctive DNA and aesthetic identity while re-examining its role and possibilities within contemporary retail.For the Taipei opening, Fausti joins Michelle Liao, Chief Strategy Officer of Breeze Group, to celebrate this significant milestone, marking a new chapter in 10 Corso Como’s international development.

10 Corso Como Named Among The Business of Fashion’s “The Best Fashion Stores”...

10 Corso Como Named Among The Business of Fashion’s “The Best Fashion Stores”.10 Corso Como has been included by The Business of Fashion in the first edition of “The Best Fashion Stores,” a selection dedicated to the world’s top independent fashion retailers.Compiled by the editorial team at The Business of Fashion with input from industry experts, members of the BoF 500, and the publication’s community, the selection recognizes stores that stand out for their distinctive curatorial vision, the quality of the experience they offer, and their contribution to the fashion ecosystem.Selected from nearly 300 nominations from around the world, the 65 retailers included on the list are businesses united by a strong identity, a cultural approach to retail, and the ability to create meaningful experiences and foster dialogue with their respective communities. Since its founding, 10 Corso Como has viewed retail as a space where fashion, art, design, photography, publishing, and gastronomy converge. Its inclusion in The Best Fashion Stores is a significant recognition of this vision, which continues to evolve while keeping research, discovery, and cultural exchange at its core.Read the full article on The Business of Fashion. 

Starting July 8 and throughout the month of August, 10 Corso Como Project Roo...

Starting July 8 and throughout the month of August, 10 Corso Como Project Room presents the photographic installation VOID by Attilio Solzi curated by Alessio de' Navasques. As part of 10 Corso Como’s programme, which interprets its spaces as a constantly evolving organism capable of uniting and blending places and languages according to the concept of a flexible theater, the Project Room is transformed for the summer. The space, traditionally dedicated to collections of beauty products, fragrances and rare books, becomes an open, expansive book—an immersive environment where visitors can step into the pages of the latest work by Attilio Solzi, one of the most intriguing figures in contemporary photography. Large prints on canvas guide visitors into VOID, the photographic installation dedicated to the poetics of emptiness and its movement, understood as an intimate dimension of the artist. The project is part of Tiziana Fausti’s vision, within a series dedicated to artists capable of working with the insubstantial, with fading, blurring and the vibrations of light and shadow: a body of work developed through photographic exhibitions and curatorial projects that now find a new synthesis. A surface that becomes wind, a bubble, a void, in a universal and continuous movement. Solzi, who has always been attentive to the body and the carnal power of matter, arrives here at a more ethereal dimension. A thin plastic film—a humble, artificial material—is transformed into a medium of metamorphosis: folds, ripples, and waves envelop the figures until their contours dissolve, creating images in which man and nature seem to share the same vibration. Plastic thus loses its function and becomes a membrane, a shared atmosphere, a common skin between the body and the world. The veil, an ancestral symbol of concealment and revelation, runs through the entire project. As in the rituals of ancient Greece or in the movement of forms evoked by Aby Warburg, veiling and unveiling coincide in the same gesture. The young artists portrayed seem to inhabit this threshold: bodies that become forms, fading images, suspended presences, like chrysalises awaiting their artistic metamorphosis. Solzi seems to be searching for something that precedes the face and the gesture—an essence still in the making. The void evoked by VOID does not coincide with absence, but with a state of openness, with the silent time that precedes the birth of the work. It is a portrait of the artist in his studio, at the moment when he becomes a void so that the forms of the world may pass through him. The images inhabit precisely that fragile and luminous instant, transforming the Project Room into a space of contemplation and revelation.