This May - amid the season of major international exhibitions in Italy - the ...

This May - amid the season of major international exhibitions in Italy - the 10 Corso Como Gallery presents a special tribute to Arte Povera master Jannis Kounellis, unveiling a powerful site-specific project in collaboration with Galleria Fumagalli. Within the newly reimagined spaces of 10 Corso Como—once industrial interiors—the powerful and rigorous language of one of the greatest artists of the twentieth century takes form. It is an invitation to reflection and silence: the white space of the gallery is transformed into an essential theatre in which the visitor becomes the protagonist.The dramaturgy is built around a single large-scale installation, created by the Greek artist in 2009, consisting of seventy black coats arranged like stains and traces of the past—a powerful and silent device for introspection. In a present marked by profound political and social upheaval, in which migration, displacement, and the condition of human beings in transit have once again become central to global debate, the work stands as an invitation to pause and look beyond the surface.Kounellis moved through unconventional artistic venues—churches, garages, ruins, former industrial spaces—bringing exhibition practice beyond museums and galleries toward a public and shared dimension. In the large white space of 10 Corso Como Gallery, the installation unfolds as a dense sequence of coats: objects that preserve both the material and immaterial traces of those who wore them, becoming signs of absence, presence, testimony, and memory. These are not simple garments, but traces of lived lives, bearers of individual and collective stories, symbols of protection, vulnerability, and movement. The coat thus becomes a direct reference to the human being, placed at the centre of the artist’s inquiry, within a grand one-act piece in which life itself takes the stage.Within the context of 10 Corso Como—a place deeply connected to visual culture, fashion, and the intersection of artistic disciplines—the coat acquires layered meanings. The work invites viewers to suspend judgment and reflect on clothing as a testimony of time: an element rich with cultural references, linked to the literary tradition of Nikolai Gogol and Fyodor Dostoevsky, as well as to Italian neorealist cinema, an allegory of nomadism and diaspora, and a powerful bearer of social history. In this installation, it becomes stain, cast, body, and shroud, embracing both a sacred and a social dimension.Jannis Kounellis. UntitledCurated by Alessio de’ Navasques10 Corso Como Gallery13.5 – 28.6.2026Every day: 10.30am – 7.30pmFree admission

Moncler Collection floats into its Puffy Summer season, with the brand’s sign...

Moncler Collection floats into its Puffy Summer season, with the brand’s signature puffiness reimagined for lighter, brighter days outdoors. The new vision unfolds in a transitional wardrobe designed for seasonal weather shifts: soft, sculptural, colorful, and perfectly puffed for elevated layering – brought to life in a playful new campaign starring Jamie Dornan.Inspired by Moncler’s signature puffiness and its instinct for layering – now reimagined for summer – the campaign presents a series of playful, inflatable-like animal sculptures created by set designer Andy Hillman and his team. An octopus, whale, lobster, seahorse, crab and flamingo appear in perfectly matched hues from the collection. Familiar seaside creatures, they embody the seasonal mood: bold, buoyant and beautifully puffy.Continuing the expression of Puffy Summer, a pop-up at Milan Design Week brings one of the campaign’s supersized mascots into the heart of the city. From April 16–28, a larger-than-life puffy octopus animates 10 Corso Como in a bold, super-scale display of Moncler’s innovative design language. Clinging to the iconic façade and extending into the interior, the tentacled installation is framed by a 24-look mannequin formation, styled in the lightweight layers of the Summer 2026 collection.From Thursday 16 to Monday 20 April: 10:30am - 7:30pm (Free admission) From Tuesday 21 to Sunday 26 April: 10:00am - 8:30pm (Free admission) From Monday 27 to Tuesday 28 April: 10:30am - 7:30pm (Free admission) 10 Corso Como Gallery and Rooftop, First and second floor

Glen Luchford. Atlas is the first monographic exhibition dedicated to the Bri...

Glen Luchford. Atlas is the first monographic exhibition dedicated to the British fashion photographer and portraitist, conceived by Luchford for 10 Corso Como Gallery in Milan, which opened in September 2025 during the Milano Fashion Week. The show now reaches 10 Corso Como Seoul, bringing together over thirty years of work that includes iconic editorials, fashion campaigns, portraits and personal memories, showcased through large prints in a site-specific project. Designed by the artist himself, the exhibition is envisioned as a geography of the mind: an atlas through which to navigate his imagination. The title playfully and personally recalls the memory of a hair salon where the photographer once worked as a teenager. An emblematic anecdote for understanding the process of constructing the path: a montage of contrasting photographic languages, a continuous movement suggested by the motion picture camera. What emerges is a vulnerable, mysterious, and at the same time deeply human narrative sensitivity, one that has shaped contemporary visual culture.

From March 11 to April 7, in collaboration with MIA Photo Fair BNP Paribas (r...

From March 11 to April 7, in collaboration with MIA Photo Fair BNP Paribas (running from March 19 to 22, 2026, at Superstudiopiù in Milan) and as part of Circuito Off - MIA Photo Fair BNP Paribas, 10·Corso·Como Gallery presents The New American West: Photography in Conversation, an examination of how the American West has been constructed, mythologised, and reimagined through photography across nearly a century.Co-curated by Alessio de’Navasques, Howard Greenberg, and Carrie Scott, the exhibition foregrounds photography as both document and projection. Contemporary works by Maryam Eisler and Alexei Riboud are placed in direct dialogue with photographs by Edward Weston, Paul Strand, Diane Arbus, Esther Bubley, Mary Ellen Mark, Robert Adams, Joel Meyerowitz, Lee Friedlander, Wright Morris, Minor White, Allen Ginsberg, Wim Wenders and many others. Together, they trace the West from the early 20th century to today—revealing not a single narrative, but a layered, evolving idea shaped by ambition, displacement, beauty, and contradiction.The contemporary perspective of Eisler and Riboud reactivates historical works from the Greenberg archive, demonstrating how even today the dimension of the West is not only a physical place, but also a space of thought, reflection, and boundary. Historic works—ranging from Strand’s stark modernism and Weston’s sculptural landscapes to Bubley’s social observations and Arbus’s unrelenting portraits—are not treated as nostalgic artefacts, but as living images that continue to inform how the West is imagined today. At the heart of the project remains the 2024 journey undertaken by Eisler and Riboud across Texas, New Mexico, Arizona, and Utah.The show quietly acknowledges that our understanding of America—and of the ideals once projected onto the West—is shifting in real time. Without resorting to political declaration, The New American West reflects on what the West once promised: freedom, opportunity, reinvention—ideals that were often built on exclusion and hardship. Photography becomes the medium through which those tensions are preserved, examined, and re-seen.The New American WestCurated by Alessio de’ Navasques, Howard Greenberg and Carrie Scott10 Corso Como Gallery11.3 – 7.4.2026Every day: 10.30am – 7.30pmFree admission

During Milan Women’s Fashion Week, on March 1, 10 Corso Como Gallery hosted S...

During Milan Women’s Fashion Week, on March 1, 10 Corso Como Gallery hosted Sarawong’s Fall-Winter 2027 fashion show, titled “Remains of Time.”

As part of the conversion of spaces, such as a flexible theatre, the 10 Corso...

As part of the conversion of spaces, such as a flexible theatre, the 10 Corso Como Gallery changes its configuration into a contemporary wunderkammer, hosting the selection of fine fragrances, beauty, rare books and niche magazines.  Marking the start of 10 Corso Como 35th anniversary celebrations, the Gallery is revealing fifty historical photos from its archive, by artists such as Edward Curtis, Julius Shulman, Herman Leonard, Jean Clemmer, Douglas Kirkland, David McCabe, Michael Putland, Tseng Kwong Chi, Cindy Sherman and Mark Seliger.  

Exploring the meaning of ornaments through various practices and perspectives...

Exploring the meaning of ornaments through various practices and perspectives, from architecture to the visual arts, after Pietro Consagra. Ornamenti (February–March 2024) and Andrea Branzi. Civilisations without jewels have never existed (December 2024 – January 2025), 10 Corso Como Gallery completes its trilogy of exhibitions dedicated to jewellery as a contemporary medium with a retrospective of the work of Swiss artist Bernhard Schobinger. The exhibition Bernhard Schobinger. Democracy of materials, staged in collaboration with galleria Martina Simeti, brings together sculptures and jewellery works from the second half of the 1970s up to the present day. The exhibition is split into thematic islands, associations and contrasts of curved and broken lines, following an idea of dynamic ‘’that evokes the travels of writer W. G. Sebald in his book The Rings of Saturn, which had a profound influence on the artist’ poetics. The transformation of material – in its intrinsic power as raw material – from waste and remnants found as relics of a past era to crystals and precious stones, becomes the subject of meditation and manual concentration. The result is works that go beyond conventional exhibition means and become wearable. Schobinger’ production challenges our perspective, like a paradox or an enigma of koans, the phrases or stories that Zen Buddhist masters impart to their disciples. The exhibition recounts a search for absolute freedom both in terms of classic goldsmithing materials and the idea of formal coherence between construction and function: principles inherited from Swiss Concrete Art design and graphics, with its roots in modernism, which Schobinger transcends thanks to the punk influences of the second half of the 1970s. The result is a process of democratisation of material that turns jewellery into the expression of a political idea and blurs the boundary with works of art. His is a poetics of deconstruction in which the tension that animates material is manifested through the use of fragments, twists and cuts: precious and radical works, fuelled by the intensity of a process that goes ‘ the grain’. Bernhard Schobinger. Democracy of materialsCurated by Alessio de’ Navasques10 Corso Como Gallery12.12.2025 – 1.2.2026Every day: 10.30am – 7.30pmFree admission

10 Corso Como announces the opening of the first-ever solo exhibition dedicat...

10 Corso Como announces the opening of the first-ever solo exhibition dedicated to fashion photographer and portraitist Glen Luchford, marking September’s Milano Women’s Fashion Week.Conceived and designed by Luchford himself specifically for the 10 Corso Como Gallery, an internationally recognised hub for photographic research, the exhibition is not conceived as a classic retrospective, but as a vibrant site-specific project. It offers a journey through the artist’s imagination, bringing together over thirty years of work in a single continuous flow. Iconic shots, fashion campaigns, personal images and memories blend seamlessly with outtakes, mistakes and moments of reconsideration.Within 10 Corso Como diverse cultural programming, as part of the new direction under the vision of Tiziana Fausti, this exhibition - curated by Alessio de'Navasques - marks a new chapter in interpreting the final decade of the 20th century, weaving together narratives of fashion, design and photography.Glen Luchford has redefined the visual language of several decades with his irreverent, cinematic approach, shaping the visions of creative directors and major brands while also collaborating with leading fashion magazines. His work is considered cult by more than one generation of creatives, at the intersection of editorials, campaigns and personal projects.Glen Luchford. AtlasCurated by Alessio de’ Navasques10 Corso Como Gallery25.9 – 20.11.2025Every day: 10.30am – 7.30pmFree admission

10 Corso Como presents Da un’altra parte (“Elsewhere”), a solo exhibition by ...

10 Corso Como presents Da un’altra parte (“Elsewhere”), a solo exhibition by Guido Guidi, curated by Alessandro Rabottini and staged at 10 Corso Como Gallery from 7 May through 27 July 2025. Conceived as a wide-ranging showcase for his photographic work, the exhibition concentrates on the theme of the shadow, interpreted as the result of the encounter between light, space, and time – i.e., between three of the main coordinates of Guidi’s practice.   Guido Guidi (Cesena, 1941) is an internationally acclaimed photographer, renowned for the contribution he has made to the field of photography since the 1960s and celebrated for his personal way of looking at the landscape, architecture, and things, which is at once lyrical and analytical. His images are a distilled reflection on the most quotidian, marginal, and anti-monumental spaces that we inhabit, a tactile exploration of the forms that surround us and which we often neglect, rendered as if frozen in time. Over the decades, Guidi has affirmed the necessity for a “poetics of attention.” In his works, the very act of seeing is never taken for granted; on the contrary, it is analyzed from numerous perspectives, encompassing everything from its existential aspects right through to its formal and theoretical repercussions. Thanks to the consistency with which he has always scrutinized the most liminal aspects of reality, Guidi has also influenced generations of photographers, creating a visual idiom that is as subtle as it has been seminal.   Curated by Alessandro Rabottini, Da un’altra parte compiles a wide selection of photographs taken between the early 1970s and 2023, in an exhibition that focuses on the persistence and recurrence of certain themes across the decades. Although Guidi conceives, publishes, and shows his work through the format of the photographic series. The works are placed in dialogue with each other, according to a principle of poetic and formal tension, over and above the chronological sequence and any separation between the genres of portraiture, still life, and architectural photography.   Guido GuidiDa un’altra parteCurated by Alessandro Rabottini10 Corso Como Gallery7.5 - 10.9.25Every day: 10.30am – 7.30pmFree entrance